In order to kick off the second series of Thunderbirds just right, Atlantic Inferno gives us a disaster of epic proportions. The special effects team tackle the difficult task of filming both fire and water in ways which make them look far from miniature. The incredible production value continues to rise from where we left off… it’s almost as if the team were making a movie… well as a matter of fact they were. At the end of the last series, a two month or so break in shooting was taken. In that time all of the sets, models, and regular cast of puppets were revamped to stand up to the scrutiny of appearing on the big screen. On March 3rd 1966, filming began on Thunderbirds Are Go, a feature film starring International Rescue and the Zero-X crew. We’ll talk more about that later. It was deemed possible for the production team and the studios to split down the middle and expandeven further to tackle shooting the movie at the same time as new episodes of the television series. Generally speaking, the more senior members of the crew went to work on the movie while the juniors rose to the challenge of maintaining the high standard of the television series. The division of people and resources meant that the standard schedule of two units shooting two episodes every four weeks was no longer an option. They were down to one unit shooting one episode every four weeks. Let’s see how the changes implemented for Thunderbirds Are Go really affected the second series as we dive in to Atlantic Inferno.